Julie London: The Sultry Songstress Who Walked Away from the Spotlight
In the golden age of Hollywood, few stars shimmered quite like Julie London. With a voice as smoky as a midnight jazz bar and a beauty that graced both album covers and silver screens, she captivated millions. But despite her success as both a singer and actress, Julie London quietly vanished from public life in the early 1980s—leaving fans to wonder: what happened to the woman who once lit up every room?
A Start Born of Chance and Glamour
Born Nancy Gail Peck on September 26, 1926, Julie London was destined for the stage. The daughter of vaudeville performers, her love for singing emerged early, though her path to fame came through an unexpected twist. At age 17, while working in a menswear shop, she caught the eye of Esquire photographer Henry Waxman. A now-famous photoshoot wrapped her in a soaking wet sheet and catapulted her into the world of WWII pin-up stardom.
That image landed her squarely in the sights of both film producers and GIs overseas—and just like that, Julie London was no longer anonymous.
From Gorilla Flicks to A-List Stars
Julie made her film debut in 1944’s Nabonga, a B-grade adventure movie featuring a giant gorilla. While it lacked critical acclaim, it marked the beginning of a Hollywood career that would pair her with stars like Gary Cooper, Robert Mitchum, and Rock Hudson. Her screen presence was undeniable.
But it wasn’t just her acting chops that caught attention—it was her voice.
The Voice That Could Melt Stone
In the 1950s and 60s, Julie London dominated the music scene with her sultry, breathy vocals. Her debut album, Her Name Is Julie, included the haunting track “Cry Me a River”, a song originally written for Ella Fitzgerald but made immortal by London’s delivery. With minimal accompaniment—just Barney Kessel on guitar and Ray Leatherwood on bass—her performance dripped with heartbreak and elegance.
She would go on to record over 30 albums, often gracing the covers herself, becoming one of Liberty Records’ most recognizable faces. In fact, she became known as the only artist who could sell albums to men who didn’t even own a record player.
The “Too Sexy” Dilemma
Her greatest asset, many claimed, may have also been her biggest obstacle. In 1961, the Associated Press published an article titled The Julie London Dilemma: She Sounds Too Sexy. Producers struggled to find roles that matched her image without typecasting her. Even the liner notes of her records leaned into the sultry mystique.
But London, ever self-deprecating, once joked that she sang in a low, sexy voice only because “she couldn’t sing any higher.”
Love, Loss, and Reinvention
Julie London married twice. Her first marriage was to Jack Webb, the creator of Dragnet, whom she met at just 15. They had two children before divorcing in 1953. Just six months later, she began a lifelong romance with Bobby Troup, jazz pianist and composer of “Route 66.” They married in 1959 and remained together until his death in 1999.
Troup would prove pivotal again when Emergency! came along.
A Surprise Comeback with “Emergency!”
Despite stepping back from acting to raise her family, Julie returned to the screen in 1972 when Jack Webb—now her ex-husband but still a close friend—cast her as Dixie McCall, a composed, compassionate nurse on Emergency!. The show was a hit, and London starred in 126 episodes through 1979, cementing her legacy with a new generation.
Retirement and Withdrawal from Fame
After Emergency! ended, Julie London quietly exited Hollywood. Her final musical contribution was a rendition of “My Funny Valentine” on the soundtrack of Sharky’s Machine in 1981.
From then on, she chose solitude.
A lifelong smoker, she suffered a stroke in 1995. Her health continued to decline until her passing on October 18, 2000, at the age of 74 from heart failure. She was laid to rest beside Bobby Troup at Forest Lawn-Hollywood Hills.
A Lasting Influence
Despite her self-doubt and tendency to downplay her gifts, Julie London’s impact is still felt today. Artists like Lana Del Rey cite her as an influence, and albums like Julie…At Home and Around Midnight have been enshrined in 1000 Recordings to Hear Before You Die.
Her music remains timeless—equal parts jazz, torch song, and lullaby. Her voice, both powerful and delicate, is forever etched into the annals of music history.